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#X text 229 379 crossover frequency \, Hz.;
#X obj 35 10 rev2~, f 7;
#X text 98 10 - a simple 1-in \, 4-out reverberator;
#X text 21 565 see also:;
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#X text 119 162 pitch;
#X text 101 137 impulse;
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#X text 131 72 signal - reverb input., f 56;
#X obj 25 12 rev2~, f 7;
#X text 88 12 - a simple 1-in \, 4-out reverberator;
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#X text 138 98 float - level in dB., f 55;
#X text 138 124 float - liveness (internal feedback percentage)., f 55;
#X text 138 151 float - Crossover frequency in Hz., f 55;
#X text 138 177 float - High Freuqnecy damping in percentage., f 55;
#X text 131 228 signal - first reverb output., f 56;
#X text 131 258 signal - second reverb output., f 56;
#X text 131 285 signal - third reverb output., f 56;
#X text 131 314 signal - fourth reverb output.;
#X text 109 346 1) float - level in dB (default 0)., f 54;
#X text 109 364 2) float - liveness / internal feedback percentage (default 0)., f 63;
#X text 109 382 3) float - Crossover frequency in Hz (default 3000)., f 54;
#X text 109 400 4) float - High Frequnecy damping in percentage (default 0).;
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#X text 417 562 updated for Pd version 0.37;
#X obj 79 446 rev2~ 100 90 3000 20;
#X text 251 399 High Frequency damping (in percent: 0-100), f 22;
#X obj 170 480 output~;
#X text 180 337 liveness/feedback (in percent: 0-100), f 19;
#X text 239 443 args: level \, liveness \, crossover \, damping;
#X text 147 279 output level (dB), f 6;
#X text 200 66 <-- tone burst duration in ms;
#X text 248 104 The [rev2~] object is a reverberator based on a feedback delay network. Its arguments (output level \, liveness \, crossover frequency \, high frequency damping) may also be supplied via the four inlets as shown here. The "liveness" (actually the internal feedback percentage) should be 100 for an infinite reverb \, 90 for longish \, and 80 for short., f 52;
#X text 248 212 The crossover frequency and high frequency damping work together: at frequencies above crossover \, the feedback is diminished by the "damping" as a percentage. So zero high frequency damping means equal reverb time at all frequencies \, and 100% damping means almost nothing above the crossover frequency gets through., f 52;
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