[ { "meta": { "id": "aesthetic:1", "uuid": "07f5a427-43ca-4d98-96c6-c8117cdf9ed4", "sort": "011169000", "src": "collegiate", "section": "alpha", "stems": [ "aesthetic", "aesthetical", "aesthetically", "esthetic", "esthetical", "esthetically" ], "offensive": false }, "hom": 1, "hwi": { "hw": "aes*thet*ic", "prs": [ { "mw": "es-ˈthe-tik", "sound": { "audio": "aesthe02", "ref": "c", "stat": "1" } }, { "mw": "is-" }, { "l": "British usually", "mw": "ēs-" } ] }, "vrs": [ { "vl": "also US", "va": "es*thet*ic" }, { "vl": "or", "va": "aes*thet*i*cal" }, { "vl": "or US", "va": "es*thet*i*cal", "prs": [ { "mw": "es-ˈthe-ti-kəl", "sound": { "audio": "aesthe03", "ref": "c", "stat": "1" } }, { "mw": "is-" }, { "l": "British usually", "mw": "ēs-" } ] } ], "fl": "adjective", "def": [ { "sseq": [ [ [ "sense", { "sn": "1 a", "dt": [ [ "text", "{bc}of, relating to, or dealing with {d_link|aesthetics|aesthetic:2} or the beautiful " ], [ "vis", [ { "t": "{wi}aesthetic{\/wi} theories" } ] ] ] } ], [ "sense", { "sn": "b", "dt": [ [ "text", "{bc}{sx|artistic||} " ], [ "vis", [ { "t": "a work of {wi}aesthetic{\/wi} value" } ] ] ] } ], [ "sense", { "sn": "c", "dt": [ [ "text", "{bc}pleasing in appearance {bc}{sx|attractive||} " ], [ "vis", [ { "t": "… easy-to-use keyboards, clear graphics, and other ergonomic and {wi}aesthetic{\/wi} features …", "aq": { "auth": "Mark Mehler" } } ] ] ] } ] ], [ [ "sense", { "sn": "2", "dt": [ [ "text", "{bc}appreciative of, responsive to, or {d_link|zealous|zealous} about the beautiful" ] ], "sdsense": { "sd": "also", "dt": [ [ "text", "{bc}responsive to or appreciative of what is pleasurable to the senses " ], [ "vis", [ { "t": "his {wi}aesthetic{\/wi} sensibility" } ] ] ] } } ] ], [ [ "sense", { "sn": "3", "dt": [ [ "text", "{bc}done or made to improve a person's appearance or to correct defects in a person's appearance " ], [ "vis", [ { "t": "{wi}aesthetic{\/wi} plastic surgery" } ] ] ] } ] ] ] } ], "uros": [ { "ure": "aes*thet*i*cal*ly", "vrs": [ { "vl": "or less commonly", "va": "es*thet*i*cal*ly", "prs": [ { "mw": "es-ˈthe-ti-k(ə-)lē", "sound": { "audio": "aesthe04", "ref": "c", "stat": "1" } }, { "mw": "is-" }, { "l": "British usually", "mw": "ēs-" } ] } ], "fl": "adverb" } ], "quotes": [ { "t": "My generation has an annoying penchant for treating luxuries as necessities and turning guilty pleasures into {qword}aesthetic{\/qword} and even moral touchstones.", "aq": { "auth": "Terrence Rafferty", "source": "{it}GQ{\/it}", "aqdate": "October 1997" } }, { "t": "I suppose that jazz listening and prizefight watching are my two most passionate avocations, and this is largely so because the origins of my {qword}aesthetic{\/qword} urges are in the black working class.", "aq": { "auth": "Gerald Early", "source": "\"The Passing of Jazz's Old Guard: … \"", "subsource": { "source": "in {it}The Best American Essays 1986{\/it}, Elizabeth Hardwick & Robert Atwan, editors", "aqdate": "1986" } } }, { "t": "Whereas the essence of Proust's {qword}aesthetic{\/qword} position was contained in the deceptively simple yet momentous assertion that \"a picture's beauty does not depend on the things portrayed in it.\"", "aq": { "auth": "Alain de Botton", "source": "{it}How Proust Can Change Your Life{\/it}", "aqdate": "1997" } } ], "et": [ [ "text", "borrowed from German {it}ästhetisch{\/it} \"pertaining to taste or discernment,\" borrowed from New Latin {it}aestheticus,{\/it} borrowed from Greek {it}aisthētikós{\/it} \"of sense perception, sensitive, perceptive,\" from {it}aisthētós{\/it} \"sensible, perceptible\" (verbal adjective of {it}aisthánomai, aisthánesthai{\/it} \"to perceive, take notice of, understand,\" going back to {it}*awis-t{sup}h{\/sup}-,{\/it} from {it}*awis-,{\/it} base of Greek {it}aḯein{\/it} \"to perceive, hear\" + {it}-t{sup}h{\/sup}-,{\/it} resultative noun suffix) + {it}-ikos{\/it} {et_link|-ic:1|-ic:1} {ma}{mat|audible:1|}{\/ma}" ], [ "et_snote", [ [ "t", "German {it}aesthetisch\/ästhetisch{\/it} (New Latin {it}aestheticus{\/it}) was initially promulgated as a philosophical term in the work of Alexander Baumgarten (1714-62) and subsequently by Immanuel Kant." ] ] ] ], "date": "1797{ds||1|a|}", "shortdef": [ "of, relating to, or dealing with aesthetics or the beautiful", "artistic", "pleasing in appearance : attractive" ] }, { "meta": { "id": "aesthetic:2", "uuid": "74c0919a-4754-465b-a20c-ec1b37445ee4", "sort": "011170000", "src": "collegiate", "section": "alpha", "stems": [ "aesthetic", "aesthetics", "esthetic", "esthetics" ], "offensive": false }, "hom": 2, "hwi": { "hw": "aes*thet*ic", "prs": [ { "mw": "es-ˈthe-tik", "sound": { "audio": "aesthe02", "ref": "c", "stat": "1" } }, { "mw": "is-" }, { "l": "British usually", "mw": "ēs-" } ] }, "vrs": [ { "vl": "or less commonly", "va": "es*thet*ic" } ], "fl": "noun", "def": [ { "sseq": [ [ [ "sense", { "sn": "1", "ins": [ { "if": "aes*thet*ics" }, { "il": "also", "if": "es*thet*ics", "prs": [ { "mw": "es-ˈthe-tiks", "sound": { "audio": "aesth1s3", "ref": "sd3", "stat": "1" } }, { "mw": "is-" }, { "l": "British usually", "mw": "ēs-" } ], "spl": "plural in form but singular or plural in construction" } ], "dt": [ [ "text", "{bc}a branch of philosophy dealing with the nature of beauty, art, and {d_link|taste|taste:2} and with the creation and appreciation of beauty" ] ] } ] ], [ [ "sense", { "sn": "2", "dt": [ [ "text", "{bc}a particular theory or {d_link|conception|conception} of beauty or art {bc}a particular taste for or approach to what is pleasing to the senses and especially sight " ], [ "vis", [ { "t": "modernist {wi}aesthetics{\/wi}" }, { "t": "staging new ballets which reflected the {wi}aesthetic{\/wi} of the new nation", "aq": { "auth": "Mary Clarke & Clement Crisp" } } ] ] ] } ] ], [ [ "sense", { "sn": "3", "ins": [ { "if": "aesthetics" }, { "il": "also", "if": "esthetics", "spl": "plural" } ], "dt": [ [ "text", "{bc}a pleasing appearance or effect {bc}{sx|beauty||} " ], [ "vis", [ { "t": "appreciated the {wi}aesthetics{\/wi} of the gemstones" } ] ] ] } ] ] ] } ], "et": [ [ "text", "borrowed from German {it}Ästhetik,{\/it} borrowed from New Latin {it}aesthetica,{\/it} from feminine of {it}aestheticus{\/it} {et_link|aesthetic:1|aesthetic:1} {ma}{mat|-ics|}{\/ma}" ] ], "date": "1822{ds||1||}", "shortdef": [ "a branch of philosophy dealing with the nature of beauty, art, and taste and with the creation and appreciation of beauty", "a particular theory or conception of beauty or art : a particular taste for or approach to what is pleasing to the senses and especially sight", "a pleasing appearance or effect : beauty" ] }, { "meta": { "id": "esthete", "uuid": "aeda14b4-1773-4799-838c-a074990c0b0b", "sort": "050213700", "src": "collegiate", "section": "alpha", "stems": [ "aesthete", "aesthetic", "aesthetical", "aesthetician", "aestheticism", "aestheticize", "esthete", "esthetic", "esthetical", "esthetician", "estheticians", "estheticism", "estheticisms", "estheticize", "estheticized", "estheticizes", "estheticizing" ], "offensive": false }, "hwi": { "hw": "es*thete" }, "ahws": [ { "hw": "esthetic" }, { "hw": "esthetical" }, { "hw": "esthetician" }, { "hw": "estheticism" }, { "hw": "estheticize" } ], "cxs": [ { "cxl": "less common spellings of", "cxtis": [ { "cxt": "aesthete" }, { "cxt": "aesthetic" }, { "cxt": "aesthetical" }, { "cxt": "aesthetician" }, { "cxt": "aestheticism" }, { "cxt": "aestheticize" } ] } ], "def": [ { "sseq": [ [ [ "sense", { "dt": [ [ "text", "{bc}one having or affecting sensitivity to the beautiful especially in art" ] ] } ] ] ] } ], "shortdef": [ "one having or affecting sensitivity to the beautiful especially in art" ] }, { "meta": { "id": "aesthetic distance", "uuid": "3eadba72-2c55-494f-a355-d59599c0d118", "sort": "011171000", "src": "collegiate", "section": "alpha", "stems": [ "aesthetic distance", "aesthetic distances" ], "offensive": false }, "hwi": { "hw": "aesthetic distance" }, "fl": "noun", "def": [ { "sseq": [ [ [ "sense", { "dt": [ [ "text", "{bc}the frame of reference that an artist creates by the use of technical devices in and around the work of art to differentiate it psychologically from reality" ] ] } ] ] ] } ], "date": "1867", "shortdef": [ "the frame of reference that an artist creates by the use of technical devices in and around the work of art to differentiate it psychologically from reality" ] }, { "meta": { "id": "non-aesthetic", "uuid": "62f59787-485e-4a65-b7d6-9a023df48fe8", "sort": "141258000", "src": "collegiate", "section": "alpha", "stems": [ "non-aesthetic" ], "offensive": false }, "hwi": { "hw": "non-aes*thet*ic", "prs": [ { "mw": "ˌnän-es-ˈthe-tik", "sound": { "audio": "nonaesthetic_1", "ref": "owl", "stat": "1" } }, { "mw": "-is-" }, { "l": "British usually", "mw": "-ēs-" } ] }, "fl": "adjective", "def": [ { "sseq": [ [ [ "sense", { "dt": [ [ "text", "{bc}not of or relating to {d_link|aesthetics|aesthetic:2} or the arts {bc}not artistic {bc}not {d_link|aesthetic|aesthetic:1} " ], [ "vis", [ { "t": "her intellectual and {wi}non-aesthetic{\/wi} achievements" } ] ] ] } ] ] ] } ], "date": "1877", "shortdef": [ "not of or relating to aesthetics or the arts : not artistic : not aesthetic" ] } ]