Pioneers of the Didgeridoo in Europe! A fresh combo, not only recognized in the Didgeridoo world, contributes their exceptional skills to Jazz and Club Beats by virtuous Breakbeats mixed with entertaining Didge funk and Yidaki Rap. Didges Brew use the Didgeridoo as a powerful effect for voice and mouth percussion. At times you’re convinced that it sounds just like an electronic Beat Box. But the whole sound comes out ... of a simple tube! "This must be supernatural - you aren’t able to play Didgeridoo like this, how the heck they do it ?" (Philipp - a fan) Marc Miethe (Didgeridoos) and Tayfun Schulzke (Percussion) keep on confronting musicians of the Jazz, Club or World Music circuits. They are liberating the oldest wind instrument known by mankind, elevating the Didgeridoo from its image of being an "accompanying drone instrument" into a new status. Their performance on the Didge is so powerful and contemporary, that even experienced listeners are amazed when Didges Brew play and produce sonicsoundz for the listeners of the 21st century. With their fresh and extraordinary skills and a lot of taste and humor, it is their aim to explore the multiple possibilities of this simple wooden tube, “to expose its qualities as a ´mouth percussion´ instrument“. Didges Brew transform percussion vocals, as well as HipHop influenced Beat Box styles and Jazz Scat improvisations with the Didge. The tunable Trombone Didge enables them to produce "wicked" sounding melodious bass lines as well as woven virtuous breakbeats to their full spectrum of driving rhythms and exotic soundscapes. Didges Brew exist since August '98, succeeding the band Circular Breathing, who performed at, and influenced Didgeridoo- and World-Music-Festivals through the great diversity and creativity of their playing. press release: “... a real discovery ... absolutely convincing interpretation of the term "World Music" ... Marc Miethe plays (the Didge) with intensity and wealth of invention which is hard to match ... far and away from Folk Music and you know that the association with "Bitches Brew" by Miles Davis is absolutely right when drums, percussion and samples join in: this is Ethno-Jazz for the 21st century ... "Didges Brew" create a truly organic fusion of different music styles and the simple wooden tube is always leading.“ (Beate Baum, Dresdner Neueste Nachrichten, 3 October 2003) „...a real bomb!...“ (sonomag.de) "...brilliant..." Berliner Morgenpost, Jan 05 Discographie (Marc Miethe + Tayfun Schulzke) * Didges Brew (track: Barry White): Dreamtime Festival Sampler 2001 * Circular Breathing: Living Structures (e.g. with Seydouba Soumah, Ballet Africain) * Currents with Nils Arndt (Poems for Leila) The three titles are published at: Janusphere Music (www.janusphere.com) * Gnawa Impulse: living remixes, CD (Fairplay, Kwark, GIP Music 2002) * Seeed (Tayfun Schulzke) „New Dubby Conquerors“ Didges Brew in the internet: http://www.cross-culture-music.de/xdidges.html * Marc Miethe (Boobinga, Cross Culture Music) | Didgeridoos. One of the true innovators of contemporary Didgeridoo Style! "Spectacular indeed" The media lauds his extraordinary percussive and powerful style. His experience as a bass-player took influence on his unique artistic dimensions on the tunable trombone Didge. Miethe is always expanding the borders of the Didgeridoo. He has been playing E-Bass since 1986 and came to the Didge in 1992. In 1994 he teams up for the Berlin Didgeridoo trio Circular Breathing and records two CDs with them. He performs for Boobinga - Didge`n´Bass together with electric-Bass player Armin Metz and as a CD and tour guest with Moroccan Gnawa’n’Clubbeat project Gnawa Impulse. Teaming with flamenco-guitarist and exceptional singer Jan Tomsic, playing „cross-cultural music“ with Peshkar, Dieter Irber´s Cosmic Level (Jungle-Jazz), Bauhouse (Live-House), Paradise Productions (Goa-Trance), DJ Medy Soul, theatre, circus and modern dance (Company F6). In 1999 he co-founds Cross Culture Music. The trained body-psycho-therapist is also well known as teacher for Didgeridoo lessons & workshops. “... storm of enthusiasm ... unbelievable variety ...“ Bad. Zeitung, Dec. 23rd 2002 * Tayfun (Culture Clash, respect.brazil, live.demo) | percussion. didgeridoo. Nomen est Omen! A tayfun on percussion – a hurricane on the Didge. He plays a wide spectrum of percussion instruments like Conga, Djembe, Cajon, Darabuka, Udu and Tabla. Tayfun studied african rhythms and expanded his skills to Indian Tabla (with Prof. Sankha Chatterjee / Kalkutta) and cuban Conga (Rumba with J.A. Mehnert). He plays Didgeridoo as pulsating, touching and voluminous as few others are able to. Besides his studio work, TV appearances and even stage acting he can be found on several festival sites. He played Club’n’Global Groove with ethnodelic Hip-Hop, Drum`n´Bass Combo Culture Clash, is laying down the beats for Party-series respect.brazil (“from bossa funk to samba house“) and the concert / party legend live.demo, worked as guest for the Seeed Album „New Dubby Conquerors“, winners of ECHO award and with Herbert Grönemeyer at the opening ceremony of FIFA Worldcup 2006. He accompanied californian avantgarde singer Toni Pope and the afro-russian Band Pushkin Boom Beat. In ‘98 he recorded for Tribe-House CD ‘Housetralia’, since 2001 he is endorser for the Pulse Percussion company. He also is one of the Cross Culture Music founders. * Matthias Millhoff (chill gmbh, embeat) | Keyboard, Rhodes, Loops + Beats He provides for organic sound structures as well as for furious solo escapades and harmonic basis as a Rhodes enthusiast and confessing self-taught. Forever since he is fascinated by music improvisation. With "chill gmbh" he contributed to several electro acoustical real time improvisations and approved his skills as sideman of Felix Wahnschaffe (sax, Das Rosa Rauschen) together with nu-jazz band "Da-Dandy". Matthias is actively involved in world music performing with "RAS" (sonarkollektiv) and "Hamid Baroudi" for some time. He has been on tour and contributes to concerts and CD projects e.g. with Traffic Jam (motor/polygram), Meitz (airdrops), Muhabbet, Dean Dawson, Jazzanova, Stolle & Band (Deutscher Rock- & Poppreis 2000), El Houssaine Kili (ex-Dissidenten), Da-Dandy among others together with liveDEMO featuring Ono, Brooke Russell (FK), Vanessa Mason (four-music), Ty, Beans, Amber Sunshower, Özlem, Brother Courtney, Georg Levin (sonarkollektiv) and Clara Hill ... * David Kuckhermann | Percussion, Frame drums, Zen-Drum (Electro Percussion) He studied world percussion at the Music Academy in Rotterdam and since then is actively involved in different drum cultures (e.g. Latin American, Indian and Middle East percussion). He integrated live looping to his repertoire in 2001 and since then composes for dance performances of the Rotterdam Dance Academy. David is member in Wouter Swets Al Farabi Ensemble and performs as ZwischenRaum with sax player and keyboarder Holger Raddatz. He lives in Berlin since 2003 and he plays ancient music with Ensemble EST on tour, accompanied by Omar Faruk Tekbilek and Cordatum; he works as teacher e.g. at the percussion school "rhythmuswelt" in Münster as well. David’s teachers were Ustad Fayaz Khan and Ted de Jong (Indian Tabla), Glen Velez (Frame Drums), Siavach Yazdanifar (Tonbak, Daf), Ramesh Shotham (South Indian Percussion), Nils Fischer (Latinpercussion), Martin Drewer (Brasilian Percussion) and Wouter Swets (Balkan Rhythms). The electronic Zen Drum provides infinite sound spectrums to him due to his distinctive dexterity. These Guest Musicians may be added to our Line up. * Daniel Allen (Cuba) | trumpet (e.g. with Patrice) ... cuban soul pushing the beat ! * Armin Metz (Ahimsa, Talvin Singh Trio, Boobinga) | 6-string electric bass. "spectacular dialogs .. where ever they go they strike gold .. exotic beauty of sounds .. insider-hit .. The expectant Reggae rhythm inspires Miethe to a "Rap"-Didgeridoo-interlude - and initiates the audience to dance" (Hildesheimer Allgemeine about BOOBINGA, the duo of Miethe’n‘Metz) * Adam Chalk (NY) | key. synths. * Michael Dau (Honeymunch) | drums. percussion ... the big beats ! According to your capacity Didges Brew offers smaller, well functioning and rehearsed Line-Ups for events, concerts and performances. More info on demand. the „Didgeridoo“ ... can you tell me what it is? The DIDGERIDOO (or Yidaki, Bamboo) is the traditional wind instrument of some australian Aborigine tribes, who have played it for at least 30000 years in their ceremonies. The inside of the trunk- or branch from the Eucalyptus tree is hollowed out by termites. The Player produces a deep-tone and at the same time varies the overtones trough tongue movements, singing and „pumping“ lung pressure drops. Playing the Didgeridoo requires a "Circular Breathing" technique which allows a constant tone to be produced and held. Performances (Didges Brew, a selection)